I'll start things off with Debbie Westmore.
Vanity Fair has a brief but interesting oral history on the making of Pulp Fiction.
“I wasn’t sure I wanted to be in the movie,” Uma Thurman tells Vanity Fair contributing editor Mark Seal of Pulp Fiction. Thurman explains that it wasn’t just the obscenity, or her character’s drug habit—it was also the rape of her crime-boss husband. “Pretty frightening,” she says. Referring to the boarding-school environment she was coming from, Thurman says, “I was 23, from Massachusetts.” It took a lot of work on Tarantino’s part to convince her. “He wasn’t this revered demigod auteur that he has grown into. And I wasn’t sure I wanted to do it, because I was worried about the Gimp stuff,” she adds, referring to the leather-clad character who emerges from a cage, set to have his way with the bound-and-gagged Marsellus Wallace. “We had very memorable, long discussions about male rape versus female rape. No one could believe I even hesitated in any way. Neither can I, in hindsight.”
Full article here.
I sure miss Phil Hartman.
From Light in the Attic Records:
Pacific Northwest isolation mixed with wide-eyed ambition, a strong sense of family and the gift of music proved to be quite the combination for teenage brothers Donnie and Joe Emerson. Originally released in 1979, Dreamin’ Wild is the sonic vision of the talented Emerson boys, recorded in a family built home studio in rural Washington State. Situated in the unlikely blink-and-you-missed-it town of Fruitland and far removed from the late 1970s punk movement and the larger disco boom, Donnie and Joe tilled their own musical soil, channeling bedroom pop jams, raw funk, and yacht rock.Why? Because when you live in the sticks, it's Fun To Pretend.



Less than two weeks after retiring as Memphis mayor, Herenton walked into the offices of the Shelby County Election Commission this morning and picked up a petition to run for the office again, election commission officials have just confirmed.Read the rest here.